GENOVA  

MUSEO DI SANT'AGOSTINO
Piazza Sarzano 35/R
tel. 010/2511263

 

LORENZO BIGGI

FABIO NICCOLINI

PAOLA RANDO


 

 

critical text by Emilia Marasco

An alternative journey through the museum, overlapping on the usual itinerary, almost a way to make the place less austere, the “reinstatement” of a work, a sculpture in the room dedicated to sculpture, “notes” to meditate on three fundamental topics: rule and game, justice, death.“Post no bills”: a collection of plates with the warning not to post them. A rule chiselled on marble, a “post no bills” plate posted on a wall, the prohibition on marble put in a museum with a deplacement intent that clearly shows its cultural origins. Biggi chooses the conceptual game, and irony as a filter to look at the places and at the elements that characterize them in order to create real journeys that are like projections of mental itineraries to move across the town, its roads as well as its museums. Fabio Niccolini's choice fell on the plastic representation of the four Cardinal Virtues, which in fact are only three, since one statue – Justice - is missing. He fills this emblematic empty space with an installation of photographs showing contemporary places and situations and with a text, to portray a world where justice is missing, substituted by inequality. Paola Rando adds a sculpture in Carrara marble to the museum of sculpture, giving a new reading to Simon Boccanegra's funerary monument. She focuses on the face of the statue, probably moulded on the deceased's, and she creates a long abstract face, with closed oriental eyes, without a mouth to identify his gender. The artist tries to find this figure's primitive, original dimension, also reflecting on death as an everyday and eternal presence.

MUSEO DI SANT'AGOSTINO

AMBIENTI DEL MUSEO

A room of the museum


The Museo di Sant'Agostino is the most important sculpture museum in Liguria. It develops inside an Augustinian convent of the 13 th century, whose Gothic church and the large convent rooms built around two cloisters were fitted out by Albini-Helg's studio (1977-1992). It offers the visitors a rich itinerary not only through Genoese sculpture between 10 th and 13 th century but also through many frescoes and monumental paintings. The projected refitting will further enrich this itinerary, adding to it the wonderful church. Besides works which are symbols of the local artistic situation and its connections (Manfredino da Pistoia, Giovanni di Balduccio, L. della Robbia, the Gagini, G. della Porta, F. Parodi, F.M. Schiaffino, V. Castello, D. Piola, G. De Ferrari), the museum boasts the Lapide di Simonetta e Percivalle Lercari (1256), sculptures by Pierre Puget and masterpieces such as Margherita di Brabante , by Giovanni Pisano (1313-14), and Maddalena penitente , by Antonio Canova (1796).

LORENZO BIGGI

Lorenzo Biggi was born on the 22 nd June 1974 in Genova, where he lives and works. Since 1993 he has shown his works in several exhibitions, both in Italy and abroad. Starting with a conceptual kind of work, he developed a cynical aesthetics, using the most varied techniques. At the moment, he is also devoting himself to the organization of exhibitions and cultural events for the V-idea Gallery in Genova.
lo.biggi@libero.it



Affissioni (Postings), photographs, 10 prints cm. 50x70, 2003


LEONARDO E FRANCESCO JR. RICCOMANNI

Leonardo Riccomanni e Francesco jr. Riccomanni, Tre figure allegoriche: Prudenza, Temperanza, Fortezza, white Apuan marble

Part of a series of four Cardinal Virtues, of which Justice is missing, these magnificent, stately statues, come from an impressive funerary monument built in the church of S. Francesco di Castelletto in Genova for two members of the Campofregoso family, who were doges in Genoa in the 15 th century. For both of them, Tommaso or Giano I, the iconography of the Cardinal Virtues, seen as support and inspiration for governing, would have been very appropriate.The author of these statues is Leonardo Riccomanni, one of the most important 15 th century sculptors working (with the help of his nephew Francesco) between Genoa, Lucca, Sarzana and Naples, always for fine art patrons of high cultural and social level.

FABIO NICCOLINI

Fabio Niccolini was born in Genoa, where he still lives. After graduating from the Academy of Fine Arts, he begun to work with a group of photographers that are devoting themselves to a research on contemporary landscape."I look at everyday life, I have many doubts and know no truth."
fniccolini@hotmail.com

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Luoghi Comuni (Commonplaces), black and white, colour photographic support 60x60, mirror cm. 60x60, 2003


SCULTORE GENOVESE

Scultore genovese, Statua giacente del doge Simone Boccanegra e tre leoni, sarcophagus, white Apuan marble, 1363


Simone Boccanegra was the first doge in Genoa (1336). Opposed by the oligarchy, he was forced to go into exile in 1344, but in 1356 he came back to Genoa, resumed office and kept it till his death, in March 1363. An old but unfounded tradition has it that he was fatally poisoned.His sepulchre was in the church of S. Francesco di Castelletto.An unknown artist created for him one of the masterpieces of 14 th century portrait: the face (the most ancient physiognomical portrait preserved in Genoese art history) has the same effect of a wax mask solidified on his dead face and the statue is a perfect balance of naturalism and stylization. It is impressive how refined the surfaces are: the extremely polished face was given a final touch by abrasives and all the clothes were once coloured.

PAOLA RANDO

Paola Rando was born on the 4 th May 1973 in Genoa, where she lives and works. She participated in group exhibitions both in Italy and abroad. Her research focuses on the meaning of our existence in this world, on those symbols men have been carrying with them from prehistory until today. She expresses her art through various means, ranging from installation to sculpture, painting and photography.
paola.rando@katamail.com

Sketch
Monere, Carrara marble, cm. 75x27x25, 2003