MILANO  

CASTELLO SFORZESCO
SALA VISCONTEA

tel. 02/88463650

 

ALESSANDRO CERESOLI


 

 

critical text by Gyonata Bonvicini

“A figure never stands still in front of us, but it appears and disappears ceaselessly. Things in motion multiply and contort, like vibrations in the space they run through.” Umberto Boccioni.

The video project by Alessandro Ceresoli tries to find a point of contact with Boccioni's poetics. The dynamic and emotional lines characterising the Milan version of “ Stati d'animo: gli addi ” (“States of mind: farewells”) are the core from which the work develops. The artist focuses on the poetic value of shape, of movement, of the relation between objects and the surrounding environment, aiming at making the viewers aware of an emotional state, rather than an analytical one.The artist's idea is creating a set of objects, made up of cloth and flexible structures, and show their behaviour in an undetermined sea environment. The video assembles several unrelated objects, each separated and independent from the others. There is no narrative continuity among them, but only an open segmentation. Complete soundlessness, then, radicalises each form and reduces it to its essence.Each object is the result of an initial esthetical choice that considers the relation between weight and expansion of the materials on the basis of a project issuing in movement that cannot be thoroughly controlled. Water is characterised by ebbs and flows that shape and warp, generate and de-generate, causing all the possible relations to be accidental and unsteady.Ceresoli's structures internalise the loss of space and time references through flexibility and movement. Water acts as the space the objects slip through, finding neither friction nor conflict on their way. Water does not deny differences, but, rather, it mitigates and incorporates them. The possible variations keep the system in a state of continuous fluctuation. This practice is based on the observation of a series of differences: the higher the number of differences, the higher the number of strategies that will be elaborated.

CASTELLO SFORZESCO/SALA VISCONTEA

UMBERTO BOCCIONI

Umberto Boccioni, Stati d'animo (States of mind), oil on canvas, triptych, Civiche Raccolte d'Arte, Canavese donations.


In a crucial moment for the elaboration of futurist poetics, Boccioni faces the emotional representation of the act of leaving in the modern town. Depicting his “states of mind”, he summarizes different sensations through lines taking different directions: the confused lines stand for the feeling of chaos arisen by farewells, the horizontal lines for the dynamism of those who are leaving, the perpendicular lines for the languor of those who stay. Boccioni painted two versions of the States of mind trilogy. The first version, property of the Civico Museo d'Arte Contemporanea, was made in the period when the artist first begun studying this theme, while the second, property of the Museum Art in New York, was painted later and shows the influence of the coeval researches of the French cubists.

ALESSANDRO CERESOLI

Alessandro Ceresoli was born in Romano in 1975. He lives and works in Milan and Berlin. 1999-Something...,S.G. Valdarno, curated by Rita Selvaggio, Luca Cerizza. 2000-Fatica sprecata, Viafarini, Milan, curated by Luca Cerizza. 2002-Inedito, presented by Ilaria Bonacossa, Museo Macro, Rome; Exit, Fondazione Sandretto Re Rebaudengo,Turin, curated by Francesco Bonami.
alessandro.ceresoli@libero.it



Project 2003, video-installation, 2003